Moby Dick Gets a Modern, Silent Makeover in Chicago: Dive into Tsang’s Radical Reimagining
Prepare to set sail for uncharted cinematic waters! Artist Wu Tsang’s groundbreaking silent film adaptation of “Moby-Dick” is making waves at the Museum of Contemporary Art Chicago. It premieres February 14th to 16th. Titled “MOBY DICK; or, The Whale,” this daring reinterpretation dives deep into the classic novel. It explores themes of capitalism, identity, and power. Themes are explored with expressive silent performances and a live, electrifying score.
Tsang is an alum of the School of the Art Institute. He was inspired by C. L. R. James’s critique, “Mariners, Renegades and Castaways,” which recasts Ahab’s ship, the Pequod, as a floating factory. Tsang uses this “theoretical sandbox” to play with perspectives and narratives. He challenges traditional readings of the novel.
“I wanted to twist this iconic text into something new,” Tsang explains. “What happens when we explore the tension between freedom and control, individuality and community? How do race, queerness, and desire play into this struggle?”
To achieve this, Tsang assembles a dream team. Writer Sophia Al Maria breathes life into the screenplay. Poet and theorist Fred Moten narrates as the mysterious Sub-Sub-Librarian. The film score is a crucial element. The acclaimed trio of Caroline Shaw, Andrew Yee, and Asma Maroof, perform live. They are accompanied by the Chicago Sinfonietta.
“The score is another character,” says Shaw, a Pulitzer Prize winner. It reflects the film’s diversity. It captures the mood and atmosphere of each scene. It interacts with the visuals and narration. It’s a collaborative journey, and we’re thrilled to share it.”
Tsang’s visual magic blends cutting-edge technology with classic techniques. Unreal Engine is typically used for video games. It creates immersive digital environments. Rear projection, a silent film mainstay, adds depth and movement.
“Technology shouldn’t distract,” says Tsang. “Rear projection creates intimacy, allowing me to play with the artificial and natural, the real and unreal.”
The cast delivers powerful performances without uttering a word. Tsang deliberately departs from dialogue, emphasizing gestures, expressions, and body language. This challenges silent film conventions, often reliant on stereotypes.
“I want a silent film that speaks volumes,” Tsang concludes. “It’s about listening, about the nuances of communication. Dive in, and discover a Moby Dick you’ve never seen before.”
So, are you ready to set sail on this bold cinematic adventure? Don’t miss “MOBY DICK; or, The Whale” at the Museum of Contemporary Art Chicago!
